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Komunitas social.beaware.live

BeAware

Social Media fool on multiple platforms. I tend to talk about #Fediverse :fediverse: and it’s nuances. Also post #AIart using #Midjourney from time to time. I am your typical hippie and :weed: smoker. Follow me for a variety of topics like #gaming; comments and opinions on tech news; World news opinions; occasional self-loathing and #depression messages. VERY #ADHD. Sometimes my thoughts aren’t organized. If this isn’t your thing, just keep moving, or block, I really don’t care :) #fedi22 tfr

Komunitas lemmy.wtf

wax

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Komunitas lemy.nl

Aantal nepbronnen in Nederlandse onderzoeken neemt toe sinds komst ChatGPT

Honderden Nederlandse wetenschappers hebben in de afgelopen jaren bronnen geciteerd die niet blijken te bestaan, blijkt uit onderzoek van De Groene Amsterdammer. Het percentage artikelen met nepverwijzingen is in drie jaar verzevenvoudigd. De stijging kwam op gang na de komst van ChatGPT.

Komunitas lemmy.world

Something true

They still refer to it as the war of northern aggression. A lot

Komunitas quokk.au

wake

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Komunitas lemmy.world

Magiwarriorx

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Komunitas piefed.social

evikit: Preact SSR framework for small web apps using a node:sqlite ORM

I like the full-stack framework SvelteKit. It inspired me to write something more minimal, even brutalist, based on Preact, a few small focused modules popular in its ecosystem, and Vite. There’s intentionally not much API. Documentation entirely fits in a long but straightforward README. Like the Django tutorial, it guides you through writing an application using all the primary features of the EviKit framework. I wanted to use standard modern JavaScript as supported by Node.js 24+ directly. With strict JSDoc type annotations. So no separate language server is needed - you can use Emacs, Kate or any other modern editor of your choice that supports typescript-language-server. Linting using ESLint and Prettier also works without extra plugins. There’s neither JSX nor a new templating language to learn. There are JS helpers for creating common elements, e.g. you write p({ class: "nav" }, a({ href: "/" }, "Home")). You use JS map for loops and ternary operator for conditional constructs. I focused on old-school urlencoded and multipart forms, and the app is rendered on the server, so apps should remain partially accessible even when JS doesn’t load. At the same time, an EviKit app is a proper SPA, hydrated with client-side routing (with URLPattern-based server-side counterpart) and conveniently made dynamic with React-style hooks. I want to ease the writing of bots and interoperability with low-code tools. So apps generate OpenAPI (Swagger) specification for your API. Input/output validation using Valibot is first-class. Type checking catches if e.g. after an upgrade your API starts returning something different from your declaration. With less need for boilerplate unit tests, you can focus on end-to-end replication of real user scenarios. Most apps need databases. Why not try the node:sqlite built-in? I made it easy to declare a schema using the same Valibot helpers that I use for API declaration. EviKit keeps the database in a standard location following the XDG specification. You can save file uploads as SQLite blobs. Translatable strings of your UI can be automatically extracted using GNU Gettext tools, well-known in Django, WordPress and Linux desktop app ecosystems. I recomment the Poedit editor for translating the resulting .po files. Your app is shown in the browser language if there’s a matching translation, with English fallbacks. For styling, I wanted to avoid non-standard hacks that make Node.js “import” CSS, so I recommend going with daisyUI and the now usual Tailwind CSS. There’s a real-world FOSS app using EviKit: Lanquiz, that lets you import Kahoot quizzes and self-host them in LAN from a laptop during blackouts. Non-goals: cloud deployment (I only target VPS and LAN apps), competition with Pracht scope (I guess there are bugs to fix, but the framework is more or less finished). Last but not least, no “AI” whatsoever was used for writing the framework. I don’t have a hardline stance, it’s more that I don’t see how it could be useful for this tool. LLMs let people come up with ever mode code and boilerplate, while I want radically less of it. If you’d like to contribute, let’s keep it simple and human.

Komunitas lemmy.ml

Gaza is Too Graphic For Community Standards

On January 30, 2025, I uploaded a video to Instagram I filmed in Gaza showing a mother sitting beside the bodies of her children after an airstrike. She was not screaming. She was silent in a way that felt heavier than any sound. Within minutes, the post disappeared from both Instagram and Facebook. The notification read: “This content violates Community Standards on graphic violence.” ::: spoiler [2026-06-09] Palestine Nexus Screenshot of Meta’s “Community Guidelines” There was no context in the message, no acknowledgment of where the video came from, and no distinction between documentation and harm. Only erasure. And then, silence. On social media platforms, freedom of expression is promised as a universal right wrapped in friendly interfaces and pastel-colored notifications. A story was removed for being “too graphic.” A post was restricted for “sensitive content.” A warning arrived seconds after I uploaded a video, before anyone could possibly have reported it. At first, I thought the problem was technical. A glitch. A temporary misunderstanding between my words and the machine reading them. That it would correct itself, but it never did. According to Human Rights Watch, Meta has systematically restricted Palestinian content across Instagram and Facebook, documenting over 1,050 cases of censorship across more than 60 countries. The report identifies recurring patterns including content removals, account suspensions, reduced visibility, restricted live features, and “shadow banning”—often without notification or meaningful appeal mechanisms. Social media, which once promised to amplify marginalized voices, becomes instead a system that quietly filters them out. This practice is known as shadow banning: a form of invisible censorship where content is not explicitly removed, but its reach is reduced without informing the user. Your post still exists. Your account still functions. But your voice does not travel. There is a particular kind of violence in being allowed to speak while not being heard, in watching your words disappear into algorithmic silence while other narratives circulate freely. Over two years, I watched journalists, activists, and ordinary Palestinians lose accounts precisely when violence escalated—when documentation mattered most. Livestreams were cut. Posts were removed. Reach was restricted. At the same time, reports have documented how openly dehumanizing or violent rhetoric against Palestinians often remains online without comparable enforcement. This imbalance raises questions not only about moderation, but about whose grief is made visible and whose suffering is erased. I, too, treated social media as a witness, as a space where truth could survive even when the physical world was collapsing. It took me two years of posting, seeing my photos and words deleted, reposting them, and watching them disappear again to understand that some voices are muted precisely for revealing unwanted truths. What it did instead was train me. Slowly, quietly, efficiently, I was told which images were forbidden, which words carried risk, which truths needed to be softened or disguised to survive. It taught me that a destroyed home must be blurred, that a dead body must be cropped, that grief must be abstracted into language so vague that it no longer threatened anyone. I learned that naming genocide and ethnic cleansing in Palestine is not the same as naming it elsewhere, and that clarity, in this digital ecosystem, is treated as provocation. Meta has stated its moderation system is neutral and policy-based, yet independent investigations and human rights organizations have repeatedly challenged this claim, pointing instead to uneven enforcement patterns that disproportionately affect Palestinian users. Meta insists that so-called neutrality is designed to protect users. Violence is not allowed. Graphic content must be removed. Dangerous organizations must not be promoted. These guidelines, when read in isolation, sound compassionate and necessary, even. But experiencing them while documenting genocide reveals their true function: They do not remove violence; they remove context. They do not protect users; they protect comfort. They do not silence everyone; they silence selectively. Over time, I learned that certain words triggered the censor. “Occupation,” “apartheid,” and “genocide” when paired with Palestine, were treated as violations. The message was clear: the system of violence itself should not be named. Only its aftermath can be shown, garbed in necessary filters, not its structure. One of the most violent outcomes of this system is how it strips meaning from suffering. Palestinian pain is treated as excessive, indecent, inappropriate for public consumption. A ruined home is “too much.” A dead child is “graphic.” A body becomes a violation of community standards. A statistic, however, is acceptable. A vague headline is safe. An aerial image from far away passes moderation with ease. The body must disappear for the story to remain. And when the body disappears, so does accountability. We have been witnessing a livestreamed genocide—documented in real time through social media platforms where images, videos, and testimonies from Gaza circulate globally, even as they are repeatedly filtered, delayed, or removed. For the first time in our generation, mass violence and ethnic cleansing of this scale have not only been reported after the fact but recorded as it unfolds, frame by frame, post by post. Journalists such as Bisan Owda, Wael Al-Dahdouh, Plestia Alaqad, Anas Al-Sharif and others have used social media as a primary archive of survival, turning their phones into tools of testimony when international media access was heavily restricted. Their presence reveals a contradiction: even as platforms attempt to regulate and suppress content, they remain one of the few spaces where fragments of reality still break through. The internet was once imagined as a digital version of a public square, a place where marginalized voices could bypass traditional gatekeepers. For Palestinians, this promise briefly felt real. Smartphones turned civilians into witnesses. Social media became a lifeline when borders were sealed, journalists were barred, and electricity was cut. For a moment, it felt like truth could travel faster than bombs. But as platforms grew more powerful, so did their control. There is something absurd about being told that footage of your destroyed neighborhood violates community standards, while the destruction itself continues uninterrupted. Something darkly funny about an app warning you that your post about a massacre is “too violent,” as if the violence begins with the image and not the act. The platform is offended—not by death, but by its documentation. What we are witnessing is not a failure of content moderation. It is its success. Platforms are doing exactly what they were designed to do: minimize disruption, protect dominant narratives, and ensure that certain truths remain inconveniently invisible. Freedom of expression in the digital age often feels like an apparition. Bias, omission and suppression is not a bug. It is a feature. And still, Palestinians continue to speak. Even when posts are deleted. Even when reach is reduced. Even when words vanish into algorithmic silence. Because for those living through violence, speaking—even into emptiness—remains an act of defiance. :::

Komunitas lemmy.ml

Israel spent £50,000 lobbying Reform

Reform UK’s deputy leader said last week that a parliamentary debate into Israeli influence on British politics was “antisemitic in its very motivation and at its core”. “As such, we should utterly reject it,” argued Richard Tice to a room full of MPs. What he did not tell them, however, was that he had been on a trip to “the Gaza front line” last September funded by the newly-created Reform Friends of Israel, where he concluded that the Gaza famine was a “blatant lie”. They also visited Israel’s police headquarters, which is overseen by far-right national security minister Itamar Ben-Gvir, who is sanctioned by the UK for “repeated incitement of violence against Palestinian civilians”. This trip was funded by the Israeli Ministry of Foreign Affairs, according to newly released Israeli government data seen by Declassified and found by Berlin-based journalist Yossi Bartel. The records show that the ministry paid Conexión Israel – a company based in Jerusalem that organises high-level country visits – more than £50,000 to facilitate the delegation. The delegates returned singing Israel’s praises and denouncing British protesters marching against the war in Gaza as antisemitic and “naively propping up a terrorist ideology”.

Komunitas discuss.tchncs.de

How to manipulate individual vertices?

Newbie here. FreeCAD is v1.1.1 Is there really no way to do simple manual vertices manipulation? Coming from Wings3D. Found the Fase feature (PartDesign_Chamfer) which is a good start for my usual extrude/bevel workflow but I can not for my life find out how to manually select and move vertexes manually / individually. I learned about converting a part into a mesh but even here I seem to not have the option to move vertices around freely? Do I really have to go down to a 2D drawing first and work from there?

Komunitas lemmy.blahaj.zone

one girls trash is another girls rule

::: spoiler cw: a little kinky another girl on premises saw us holding this frayed belt like this and came up to us and with a smile went “punish me mommy”. we are quite friendly with her and this is usual banter so dw hehe (also, the original title was “one girls trash is another girls pleasure”, elected not to go with it for reasons though) ::: another photo:

Komunitas lemy.nl

Aantal nepbronnen in Nederlandse onderzoeken neemt toe sinds komst ChatGPT

Honderden Nederlandse wetenschappers hebben in de afgelopen jaren bronnen geciteerd die niet blijken te bestaan, blijkt uit onderzoek van De Groene Amsterdammer. Het percentage artikelen met nepverwijzingen is in drie jaar verzevenvoudigd. De stijging kwam op gang na de komst van ChatGPT.

Komunitas lemmy.world

This Apple Lie at the grocery store

I was with you at the beginning, but— This pie alone contains 400% daily value saturated fat, which is terrible for long-term health. A single serving only contains 40%. Not great, but not as terrible as you’re making it out to be. (And unlike a lot of packaged food, the size of a serving here is pretty reasonable.) Very few foods are good for long-term health when eaten alone, and singling out this particular one because it doesn’t fit with your specific use case weakens your argument. They are lying about the ingredients. That’s true, and it should be noted because false advertising is terrible for consumers. Not because it’s bad for a one-meal-a-day fad diet, but because it’s bad in general for anyone who buys a product based on what is on the label.

Komunitas lemmy.world

thatgirlwasfire

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Komunitas lemmy.world

Justathroughdaway

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Komunitas leminal.space

So it begins

on paper I’m not against it Perhaps you should be, since there doesn’t seem to be a non-dystopian way to do age checks on the internet at a large scale (as in, for more than e.g. sites dedicated for porn, and other very narrow examples). See Cory Doctorow write about Age Verification of any kind: https://pluralistic.net/2025/08/14/bellovin/ Or look at this EU wallet writeup: https://gitlab.opencode.de/bmi/eudi-wallet/wallet-development-documentation-public/-/work_items/13

Komunitas piefed.social

StowawayFog

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Komunitas lemmy.world

imapuppetlookaway

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Water1053

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